Monday, February 04, 2013

Blending, Maturing



You really can't make a quality stew without a little Worcestershire sauce. A Bloody Mary or Caesar is just a boozy tomato drink without it.  A dash in a Bolognese can work wonders.  In fact, it has been said that a few drops behind the ears will drive the ladies wild.
But I just noticed my Lea & Perrins says "expert blenders since 1837". This piqued my curiosity and I learned that time and maturation was as vital to this tasty condiment as to great whisky. I also learned that it's not for vegetarians.  
Forgive the pronunciation, but worth a watch.

Originally posted HERE.


Monday, January 21, 2013

Canadian Whisky Awards


While I was in Sweden aboard the Viking Line Cinderella for their annual Whisky Fair, winners of the 3rd annual Canadian Whisky Awards were announced at The Victoria Whisky Festival on Thursday, January 17th, 2013.

Canadian Whisky of the Year
Forty Creek Port Wood Reserve

Connoisseur Whisky of the Year - Multi-market:
Forty Creek Port Wood Reserve

Connoisseur Whisky of the Year - Domestic:
Gibson's Finest 18 Year Old

Connoisseur Whisky of the Year - Export:
Canadian Rockies 21 Year Old

Sippin' Whisky of the Year - Multi-market:
Century Reserve Lot 15-21

Sippin' Whisky of the year - Domestic:
Forty Creek Copper Pot Reserve

Sippin' Whisky of the Year - Export:
Masterson's French Oak

Value Whisky of the Year - Domestic:
Canada Gold

Cream Whisky of the Year:
Forty Creek Cream

Flavoured Whisky of the Year Multi-market:
Tap 357

Flavoured Whisky of the Year - Domestic:
Gibson's 100th Grey Cup Limited Edition

Award of Excellence - Innovation
Kruger Wines & Spirits - Sortilege

Award of Excellence - Canadian Whisky Profile
Diageo - Crown Royal Maple

Award of Excellence - Line Extension
Beam Inc. - Alberta Premium Dark Horse

More HERE

Tuesday, January 15, 2013

Still relevant?



God, has it been quiet around here. 
Sure, we have had over a million unique visitors to date, still see 400 visitors a day on this long (13 months!) dormant blog, and Dr. Whisky keeps busy with whisky and more, but worthy of praise?

I thank Karen and Matt for including me on their list of top blogs, and after all, even a dormant web log is, by definition a web log, but seriously? Seriously? 

I thank all of you for continuing to visit and share, for following me on twitter (@dr_whisky), on facebook, and for checking out my new outlet on The Balvenie.com. 
In fact, right now I am prepping my colleagues for a series of pretty controversial posts about cold fingering and the projected myths about maturation...

So business as usual, just not in these pages. Go get informed via the links to the left.

See you all in the real world soon.


Monday, December 19, 2011

Malt Mission 2011 #405

St. Isidore
Blended Scotch Whisky
41.4% abv
£50


I am sure if you are reading this then you are likely familiar with the back story, but...


Master of Malt, clever 21st century spirits merchants and genuinely lovely people, came up with the idea to get a group of bloggers to take part in creating a blended whisky. Simple as that, really. And thus the work-in-progress formerly known as THE BLOGGERS BLEND was born. 


Read Jason's backstory HERE.


TASTING NOTES:


Complex, deep and fruity with wood, wood smoke, and all the promise of the industrial revolution. 


Wow. Thick. Hearty. Real vanilla, spice and fruit again all swoddled in a blanket of fragrant wood smoke, finishing with a toasty, buttery and popcorn-y character and a resurgence of fruit, now more dried or even burnt. Lovely. 


SUMMARY:


Chewy and hearty with an Islay heart, not unlike a bowl of coal soup. While admittedly not the most elegant drop on the block, this beauty matches the complexity of some of the world's favourite malts, most premium blends, and reminds of the old-school blending stylings of mid-20th century Johnnie Walker Black and White Horse all for a fraction of the cost. What's more is that in the spirit of Christmas, all proceeds go to cover MoM's admirable investment in such a brilliant project. 


Think you could have done better? Now you can try to prove it. Master of Malt have assembled a Home Blending Kit fit for exactly what it says on the tin. 


Friday, December 09, 2011

Malt Mission 2011 #404

The Silver Grouse
Blended Malt Whisky
45%
£30


Honestly? I have no information about this bottle to share except for what the label told me:


It is a blended malt and is chill-filtered at -8 degrees Celsius, a proposition that seems familiar to the brilliant commercial failure of J&B -6. The label explains that this whisky was specially designed to celebrate Famous Grouse's 25 years as Scotland's number 1 blended whisky. 


I took a sample off a bar in an office in Taipei and I am afraid neither the internet nor my shelves of books offer me much else by way of background. Sorry! Do you know this whisky?


For more info on the Famous Grouse family of blends and to see all tasted so far on the mission, click HERE.


TASTING NOTES:

Wildly pleasant and easy-going nose. Creamy and sweet with dates and honey. Slight salty or briney note in there, too.

More dates, raisins and an oaty gristiness, drying with dusty oak and pleasant sherry.


SUMMARY:


Classic Grouse style, easy to drink and a joy all the while. Now who knows where the hell this thing is available?


Friday, December 02, 2011

Malt Mission 2011 #403



Johnnie Walker Swing
Blended Scotch Whisky
43% abv
£70


Another blend to start off the 400s on the malt mission.

Originally introduced as the iconic Johnnie Walker range's premium export brand, Johnnie Walker 'Swing' or 'Celebrity' was introduced way back in 1932 and was Alexander Walker II's last blend. Although this whisky was apparently made available in the UK from 1982, it isn't a whisky we see much of on these shores. In fact, the world renowned Red Label is at least as absent from the home market having left the UK in 1977 following DCLs need to comply with EEC competition rules.

I look forward to an email from Dr. Morgan correcting at least half of the above. Thank you in advance.

For all Johnnie Walker had on the mission, click HERE.

TASTING NOTES:


Coal smoke and candied lemon, green herbal (Glenlossie?) and tangerine (Glen Elgin?) notes with a hint of sulphury sherry adding a welcome weight.

Great texture, big and bold with vegetable sweetness from quality aged grain, vanilla and orange before turning drying with clay, treacly for balance, and arriving at a lasting smoky finish.

SUMMARY:

Jim Murray called it "a different breed to the other Walker blends" in Classic Blended Scotch (1999) but to my mouth twelve years later, this is a very JW house style blend, with a bit of swagger and umph at its heart.

Sunday, October 16, 2011

Malt Mission 2011 #402

Scotch Blue
Blended Scotch Whisky
40% abv
??? WON

Scotch Blue calls itself "the #1 selling blended Scotch whisky in Korea" (it isn't) and was launched in 1997 by drinks giant Lotte Chilsung. It has 17 and 21yo versions very much targeting the more premium Ballantines expressions and local market leader, Windsor 17.

Scotch whisky was the biggest South Korean import from the UK in 2010 with the local brands dominating the market: Diageo's Windsor, Pernod's Imperial Classic and Lotte's Scotch Blue. As expected, Macallan and Glenfiddich dominate the malts but what is most fascinating for me is that Scotch Whisky as a category accounts for more than 90% of the spirits market in S. Korea.

When the South Korean government changed their tax policy on imported alcohol earlier this year, the whisky industry, especially those looking for an opportunity for malts to expand, had a party in their pants. Said Whisky Magazine's Rob Allanson, "South Korea is already the sixth largest export market in the world for Scotch by value and the ninth by volume, so we see this as having a fairly significant benefit to the whisky industry."

TASTING NOTES:

Waxy and buttery the way only PET packed whisky can be. Grape juice sweetness and pleather Michael Jackson Beat It-era jackets. Sweet, simple, and welcoming.

Buttery again, rounded. Garibaldi biscuits, raisin sweetness offset by a lemony zest. Chewy and perfectly quaffable.

SUMMARY:

Shocked. Utterly shocked. Probably lovely with tons of ice.




Monday, October 10, 2011

Malt Mission 2011 #401



Great King Street
Compass Box Whisky Co.
Blended Scotch Whisky
43% abv

£25

Blended whisky is the main volume driver of the scotch whisky industry but still carries a stigma that has proven challenging to shake. The history of blended whisky is the history of the Scotch whisky industry as a whole (see my Bullocks to Blends post from 2008) and for over a century some of these whiskies have been the strongest brands in the world. 

For ten years, John Glaser has been insisting that it is time for the world to take a fresh look at this style, "and that is why we have created Great King Street." The bottle clearly states a few keynotes of their malty manifesto in a Georgian press-style look and feel with terms like "artist", "non-chill filtered" and "natural colour" all making an appearance. The tube quotes Aeneas MacDonald's assessment of the styles of whiskies that appeal by geography, pointing to the central role for blended whiskies on a global level 80 years ago. 

The ambitious ideology is laid out on the website: "More than just a new brand, Great King Street is a mission, a mission dedicated to reviving interest in one style of whisky only: Blended Scotch Whisky. This is the style of Scotch whisky that combines flavourful single malt whiskies with delicate, elegant single grain whiskies."

From the press release, "This is more than a brand; it’s a mission. A mission to get people – all people - to take a fresh look at Blended Scotch; to join in the Rebirth of the Blend: in how Blends are made, how they are viewed, how they are consumed.” – John Glaser, Whiskymaker

So the tube tells us Great King Street is "The rebirth of the blend." Ambitious. Today, blended whisky is a price-driven category in most markets globally, as Compass Box is no doubt aware. So if they see a "rebirth", the labour is due to be a very long a drawn out process for John and his Compass Box team. TAKE THE EPIDURAL!

For all Compass Box had on the mission, click HERE.

TASTING NOTES:

Fresh pastry, juniper and lemon. Youthful and assertive.

Spirity, tart apples, and pencil shavings. There is a mineral note throughout with a gristy, malty, new-make-y zing. 

SUMMARY:

Meh.

I hate that this is happening. I tasted and tasted again over several days (hard work, yes), but I do not share the exaggerated enthusiasm for this whisky that so many of my friends and peers have shown. It isn't just that the flavour of Great King Street falls flat for me, its also the "house" context; every previous release from Compass Box I have really liked or even, on a few occasions, absolutely LOVED.

What makes it especially hard is that I deeply respect all that CB has done for whisky blending as a esoteric category within an esoteric category, building consumer understanding of the idea that blends are NOT poor cousins to malts, older isn't better, dark colour is not a sign of quality, etc. And it's why the literature around this release puzzles me so greatly. By propagating the myth that high malt content equals higher quality blended whisky not only does it seem that they undermine their mission to have respect reborn for the blend, but it seems to go against what I think CB has been about for a decade. 

And if this is for mixing into cocktails, how does it rejuvenate the blend? Could gin or vodka do the job? If it is for rocks, then I also don't get it as for me it gets even more gin-like with juniper and spice essences of enhanced grain spirit and less like whisky with ice. Have not yet tried as highball (with soda water).

Finally, at £50 a litre, I would go home with a bottle of Johnnie Black and a Grouse. Or Black Bottle. Or Grant's. Or, indeed, Compass Box Asyla.

Friday, September 30, 2011

Malt Mission 2011 #400

Johnnie Walker 15yo, Kilmarnock 400
Blended Scotch Whisky
43% abv
£800

Labelled as "Old Scotch Whisky" with a 15yo age statement, this extremely rare drop from the house that Johnnie built is perfectly suited to mark this whisky blog's landmark tasting #400. This whole journey began with Johnnie Walker Black Label over four years ago, alone at a desk/dining table in a cozy flat in North London.

Today the journey continues in ways I would never have imagined. I am back in London, but living in the opposite corner. I have two wee girls, who think nothing of daddy sticking his nose weird shaped glasses. I am one of the lucky few who gets to do work with something I love, with people I am passionate about, I get to say that what I do is who I am, and I am am very grateful to many, many people. I have never stopped being thankful, and a few lists can be found in the annals of this whisky blog. HERE and HERE are just two examples. The list has grown a great deal since then, and continues to grow. THANK YOU!

This bottling has a gold label, but is just 15 years old as opposed to the standard current gold release which is 18 years old. The Johnnie Walker hierarchy goes Red, Black, Green (malt), Gold, Blue, George V, The John Walker, Life, The Universe, and Everything.

For all Johnnie Walker enjoyed on the malt mission, click HERE.

TASTING NOTES:

Lures you in deep, sweet tobacco, stewed apples and honey, with a delicate floral prefumerie blowing across the surface.

On the palate the liquid skirts across the tongue, communicating quaffability with rich flavours of more tobacco, mellow and sweet smoke, vanilla wafers, plums, marmalade, and a touch of cardboardy woodiness to close.

SUMMARY:

Rare juice, but demands persistent sipping and refilling, and sipping again. Very much in the Walker house style, with an added spray of lavender perfume to distinguish it from some of its housemates. Big thanks to DM for sharing.

Malt Mission #396
Malt Mission #397
Malt Mission #398

Wednesday, September 21, 2011

Maltstock 2011, Thank you

Maltstock Whisky Festival Netherlands

I have said it before, but I will say it again: I am a lucky man. There are many reasons I remain convinced of this fact, but as it relates to my point today, I get to read, write, make, taste, talk about, share and spend time immersed in something I am truly passionate about.

Nearly ten years ago I fell in love with malt whisky and although I now hold gainful employment in the whisky industry, I assure you the romance is still alive and well. I still buy bottles. I still go to bed with a whisky book by my side (currently leafing through Phillip Morrice's Schweppes Guide to Scotch). I still taste as much new whisky as I am able to. I still relish speaking with other whisky geeks, malt maniacs, and peat freaks. I still go to tastings for fun, out of hours. I still love whisky.

I was fortunate enough to attend what must be the most unique whisky festival in the world, Maltstock in the Netherlands September 9-11, 2011. (Read Cask Strength's Neil Ridley or Master of Malt Ben Ellefsen's thoughts on the event)

My colleagues and I arrived at a scout camp at De Berendonck near Nijmegen with a car bursting with bottles, glassware, two beautiful barrel-shaped pinatas, and three daily costume changes for my fabulous colleague, Tony.

Maltstock lacked many things that define most whisky festivals: queues at stands, branding and pop-up banners, people shoving glasses in exhibitors' faces saying "gimme your oldest"/"what's your most expensive scotch?", poor food, a ticketed dram policy, people attempting to show off how much they know (or think they know) about whisky, some hotel conference room, or a curfew. Running for three days at a campsite in Nijmegan, Maltstock is the only celebration of whisky perfectly suited to the drink it honours.

With many whisky festivals earning nicknames like DrunkFest and WhiskyLoathe due to the large numbers of attendees who are clearly there to drink as much as they possibly can and act like pricks, there are a growing number of new festivals around the world hiking ticket prices to their festivals in an attempt to filter out some of the "undesirable" elements and offering an ultra premium, exclusive experience.

Maltstock isn't premium, it's primal. It is isn't exclusive, it's inclusive. And with over 200 bottles open, poured at will by every attendee to their hearts' content, there was not one incident of vomiting, fighting, abuse, property damage, public defecation, or theft; features of many other festivals that I have personally witnessed.

Maltstock is about people. People who love whisky. People who want to be with other people who love whisky. No matter their income or nationality or age or knowledge level. And you know who that attracts? Nice people. Nice people who want to meet other nice people. People who want to share in the discovery of new single casks from obscure indie bottlers. Nice people who want to rediscover Glenfiddich 12yo or Glenlivet 15 French Oak (as I did). Nice people who want to find the worst whisky in the world. Nice people who want to enjoy something they love in the company of other nice people.
Who wears nametags at the whisky fair in your city? Vendors? Distillers? Ambassadors? You can put a nametag on a hired model who explains that "at the Johnnie Walker distillery we use closed distilleries in our Green single malt," but unless she is coming back to my hotel room, I cannot help but wonder why I needed to learn her name. At Maltstock everyone wears a nametag and every single person I met was a fucking legend.

And again, that is what whisky appreciation is about: People. It is a communal elixir, a product that grew out of the agricultural tradition and nourishes the society that so naturally builds around it. Whisky is, as David Daiches has so perfectly articulated, "more than indulgence: it is a toast to civilization, a tribute to the continuity of culture, a manifesto of man's determination to use the resources of nature to refresh mind and body and enjoy to the full the senses with which is has been endowed."

When you look at woodcuts or old paintings of distilling in Scotland, or of crofters enjoying some clearach, you don't see a man sitting alone in a sterile makeshift home office with his nose in a glass and his twitter feed twitting away. No, you don't see people hovering at one side of a trade display table, arms outstretched, discussing why Ardbeg 10 is inconsistent or Springbank has gone downhill or the stainless steel washbacks at Macallan have any impact on the flavour of the malt or "gimme yer oldest." You see human beings with other human beings in a natural environment enjoying whisky and talking about nearly anything but.

This is what Maltstock provides.

Thanks to the organisers and volunteers and to every single attendee. When I began to work for William Grant & Sons 3 years ago, I was proud and excited. But I remember spending an evening dramming at Sukhinder Singh's office with John Glaser calling me "sellout" all night. And maybe he was right. In this role one must be corporate and responsible. Maltstock, thank you for allowing me to be neither again.

If you are already attending next year, see you there. If you are not and are within a few hours flying time of Schipol, get your ass to Mars.